Matthew Perry makes his initial appearance on The Good Wife this week, portraying a lawyer in charge of a blue ribbon panel.
1 Comment
Negro
July 24th, 2012 8:37 PM
You folks made good observations about the mtiorinies dying, though Hurley is Latino. I saw Kate's sexist use from Season 3 onward; just like Uhura, she's defined by caring for her man; they altered it a bit for Season 5 by having her obsessed with caring for Emily de Ravin's child, but it's the same uninventive approach. None of the characters feel real; they're all archetypes; when the writers feel they've exhausted the archetype, it's time for that character to die. I hate that Sayid never had a strong story from Season 3 onward; he was just a background guy, really. I enjoyed this ep and the previous one more than any others this season, but I'd hope fans are realizing how shallow the show is. The Sayid death mirrored Michael's in how pathetic they were; it was almost funny in its lameness. The arcs for these characters mean nothing, obviously. What about Sayid's whole arc about killing Ben as a kid? The way he was obsessed with the French woman, then Maggie Grace, then the Iraqi w
Veronica: Do you love my daughter? Will: I'm sorry? Veronica: Because if you do it's time to stop being polite about it, You have a window, but it's closing....
July 24th, 2012 8:37 PM
You folks made good observations about the mtiorinies dying, though Hurley is Latino. I saw Kate's sexist use from Season 3 onward; just like Uhura, she's defined by caring for her man; they altered it a bit for Season 5 by having her obsessed with caring for Emily de Ravin's child, but it's the same uninventive approach. None of the characters feel real; they're all archetypes; when the writers feel they've exhausted the archetype, it's time for that character to die. I hate that Sayid never had a strong story from Season 3 onward; he was just a background guy, really. I enjoyed this ep and the previous one more than any others this season, but I'd hope fans are realizing how shallow the show is. The Sayid death mirrored Michael's in how pathetic they were; it was almost funny in its lameness. The arcs for these characters mean nothing, obviously. What about Sayid's whole arc about killing Ben as a kid? The way he was obsessed with the French woman, then Maggie Grace, then the Iraqi w