What would Gossip Girl be without the obligatory, annual episode featuring masks, anonymity, mistaken identity and the surprising romantic developments that invariably follow? Certainly not the same.
Tonight's installment was ripe with intrigue from the start, but didn't always live up to the extensive hype. There were some fireworks, to be sure, but also some drama that felt forced and convoluted.
The context of "The Big Sleep No More" was the N.Y.C. theater production of the same name. Sleep No More allowed Gossip Girl to film on location, which helped enhance the already-dramatic visuals.
The problem was that too much happened, and simultaneously too little.
I don't know. As much as I enjoyed Chuck trying to project his new, good-guy demeanor and Blair scrambling to unmask him (literally and otherwise), the resolution left something to be desired.
Convinced that after his apology last week, Chuck was merely putting on an act in order to win her affections, Blair set out to show he was still evil at the Basshole-sponsored Sleep No More soiree.
Her method was simple and yet elaborate: Throw herself at the one-time love of her life to elicit the reaction she needed to prove her point, yet subconsciously wanted for much different reasons.
Is there any doubt she wants to be with Chuck? If she didn't, why would she go to such lengths to essentially prove he still lusts after her? It's obvious, and he played right into it ... to a point.
Chuck had to kiss Blair to set her free?
That's noble of him, but the whole thing was extremely confusing after B, with ulterior motives, all but professed her undying love to the man she claims to despise, yet clearly isn't over ... all in the name of exposing him as a fraud masquerading as a gentleman just to win her back ... which he may or may not have been trying to.
It's enough to make your head spin.
It's also filler, in a sense. Next week, we're back at square one, with Blair and Louis in full wedding mode, and fans wondering whether she'll actually go through with it, or return to Chuck's embrace.
THE kiss, while a terrific scene on its own merit, and certain to validate Chair fans' belief that their beloved couple is destined to be together, was therefore something of an anticlimactic plot device.
Yes, it proved that Blair and Chuck are 100 percent not over each other, Ed Westwick and Leighton Meester's chemistry is still off the charts and you could've cut the tension with a knife at that moment.
But in the aftermath, I expected more from a Chair kiss. Sorry.
As for whether Chuck really has changed for good? I'd say so after last Monday, and watching the way he operated tonight. Whether it's enough to make Blair rethink her wedding is another story.
And Nate? It's hard to even know where to begin there, though we did learn a juicy detail regarding Diana's infatuation. Working in tandem with The Grandfather, her motives are becoming clear.
Well, sort of.
I can typically overlook a lot of holes when it comes to Gossip Girl, and its masquerade episodes in particular. They reached critical mass early on tonight, however, and made for a muddled plot.
To a point, settings like Sleep No More are mysterious, sexy and awesome. But it's a fine line. On the other side of that slippery slope, they become a crutch ... a mask, if you will, for sloppy storytelling.
We just saw Diana weave a web of deception and lies so complex it could have never worked in broad daylight, which is fine, but it all came about too easily, even for an international woman of mystery.
Diana needed Serena to wage war on Gossip Girl. She needed to out Charlie as an impostor in order to inspire Serena to do so. Most of all, she needed Nate ... to have his image rehabilitated, apparently.
It was all too much, asking the audience to invest themselves in such rapidly-changing, borderline implausible scenarios for characters they don't really know or necessarily care that deeply about.
Serena and Nate are the core characters, yet they've been used as pawns in Diana's game. It looks like that's about to change, which was a good thing, but this evening was all about Ivy. Oh, Ivy.
I'm trying really hard to like her, but her entire character is based on a fake personality and a hidden scandal-in-waiting that, while unique, has never had a sense of urgency to it. No OMG factor.
And the masks themselves. Don't even get me started. There's no way Max could be mistaken for Nate, much like no one could mistake Serena for Charlie, or Juliet ... or Jenny for that matter.
It just wouldn't happen, no matter how dark and eerie the surroundings, and while we all give the show plenty of leeway with things like this, it needs to back it up with better substance.
Give credit where it's due, though. The re-introduction of Nate's grandfather sheds new light on why Diana cares so much about Gossip Girl, and could take this in many directions. Well played.
Finally, and completely separate from the Sleep No More storyline, was Dan, alone, on his book tour. Or chickening out of his book tour because times have been tough out there for the author.
It was nice to see father and son bond at the end, and I'm glad Inside wasn't completely swept under the rug. Looks like Lonely Boy be back in the fold soon enough (see below) in a big way.
All in all, the episode had its memorable moments, both serious and comedic, but I'm already looking forward to the next. The season so far has been very good, even if this was a blip on the radar.
Share your comments below, but first, check out a couple of promos for next week's episode, "All The Pretty Sources" (great title). As usual, the Canadian version is longer and more revealing ...
What did you think of tonight's Gossip Girl? Did the Blair and Chuck kiss do it for you? What do you predict will happen next with Chair, and with Nate? Discuss with TV Fanatic!
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